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Mehdi Sahabi s’est essayé, pendant des années,  à l’atelier de Proust et ce faisant,  il a atteint à un certain degré de mûrissement. En traduisant A la Recherche du Temps, il a voulu faire œuvre, comme dit Antoine Berman.  Les Plaisirs et Les Jours, livre d’un jeune auteur qui demande reconnaissance, préfigure déjà  La Recherche, malgré la différence compositionnelle et thématique entre les deux ouvrages. Dans cet article, en nous basant sur les procédés techniques de la traduction énumérés et exemplifiés par Vinay-Darbelnet dans leur théorie de La Stylistique comparée, nous cherchons à analyser le processus de la traduction de ce  recueil proustien. L’objectif est de connaître d’abord la méthode de traduction dee Sahabi et la manière dont il  a procédé,  et  de savoir ensuite  si la théorie appliquée est efficace dans la lecture d’un texte littéraire traduit. Les premier et second  objectifs, pour être atteints, ont besoin de la mise en présence des deux textes et de l’explication de l’opération traduisante. A priori, les projets traductifs de Sahabi semblent ciblistes et orientés vers le lecteur, mais il  est le traducteur des choix inattendus et peut nous surprendre. Par ailleurs, l’applicabilité de cette théorie linguistique au texte proustien  déterminera son efficacité dans la critique de la traduction littéraire.
 

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Professor Ebrahim Behad, emeritus professor of Agricultural Research, Education and Extension Organization (AREEO), Isfahan Center, and professor at Islamic Azad University, Khorasgan branch passed away at the age of 85 on March 2021. Despite administrative responsibilities, he is the author of several books which some are references mostly for undergraduate students. His key role in holding two rounds of the Iranian Plant Protection Congress is memorable. Also, he published some peer-reviewed scientific articles and a lot of extension booklets and was involved in teaching and supervision the postgraduate students, mainly at the Isfahan University of Technology.

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Ayyari, which dates back to the pre-Islamic Iran, was considered a socio-political phenomenon the main origin of which was the urban society. This class had such a position among the masses that most of the heroes of the folk tales were Ayyars. The influence of work and behaviors of Ayyars were not limited to such stories, but we also occasionally see traces and signs of it in the Persian heroic poems. With the spread of narration in Iran, the influence of Ayyari literature intensified in epic and heroic stories, and we see the peak of such literature in the figures named Rostam Yekdast / Kolehdast. This emerging figure, created and paid for by the creative and popular minds of the narrators, is a hero who stands up to Rostam and the Iranians, and challenges the heroic face of the Iranian people.  By examining the history and literature of Ayyari in Iran and the Islamic world, this study tries to portray the elements of Ayyari in the actions and behavior of Rostam Yekdast / Kolehdast. In addition, by analyzing the dual nature of Ayyari in the social and political history, it examines the dual personality of Rostam Yekdast / Kolehdast.

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Electrohydrodynamic (EHD) is one of the techniques for heat transfer enhancement. In current study, the enhancement of natural convection heat transfer inside a vertical tube is experimentally investigated under applying a strong electrical field (EHD). For this purpose, a wire electrode with positive polarity is used along the pipe axis while the inner surface of tube is connected to the ground. EHD disturbs the thermal boundary layer by generating ionic wind which flows from wire electrode to inner side of tube and causes the heat transfer enhancement. In this study, the effects of wire electrode diameter and also electrical field on heat transfer enhancement are investigated. Obtained data are reported as local Nusselt number along the pipe axis and mean Nusselt number. The results show that decreasing the wire electrode diameter increases the heat transfer of tube. In addition, increasing of electrical current due to strong electrical field, increases the Nusselt number. At the lowest wire electrode diameter, the highest Nusselt number was observed which was 2.03 times more than the case that no electrical field was applied.

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In this paper, the flow field and mass transfer characteristics were evaluated numerically via Large Eddy Simulation in the presence and absence of the electric field in flat channel that is included cavity containing water. Comparison of the numerical results with the experimental data were in a good agreement with experimental data at prediction of flow field and mass transfer. Then, the effect of the Reynolds number variations in the different applied voltage on the water evaporation rate is investigated. The results indicate that applying the high voltage at the wire electrode can generate vortex and produce perturbation on the water surface. It is shown that at constant Reynolds number with the presence of the electric field, the Sherwood number will be increased but in constant applied voltage the Sherwood number will increase to the Reynolds of 3391 and then will decrease due to reduction in the size of generated vortex. Also, a linear relationship was obtained relationship exists between the Sherwood number factor and the EHD number at Reynolds numbers greater than 3391. Finally, a relationship between dimensionless numbers like the relative Sherwood number, the Reynolds number and the EHD number was obtained.

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Mehdi Akhavan-Sales is one of the most famous Persian Contemporary poets. His poetry has undergone significant changes over time. After he turned into Nima'i poetry, and after the dramatic climax manifested in Az In Avesta, he gradually declined in the next collections. Given the high status of his poetry, there must have been important factors in this artistic decline. The present study has turned to seek the life and poetry of Akhavan-Sales in order to find these factors with the approach of "external-based historical criticism" and by stating that there is a reciprocal link between the works and the cultural and social situation of the historical period of their creation. Therefore, The environmenal issues and factors that have affected the spirit and emotions of Akhavan have caused his poetry to change in different dimensions, under the title of “contextual factors” and as a result of which, contextual factors emerging in Akhavan's poetry has led to declination of his poetry. The titles of the “textual factors” are divided and examined. In the end, it is clear that the environmental conditions that arise in the life of Akhavan after this Avesta, shows that he does not have the necessary motivation and power to compose poems equal to the poems of this collection with all his skills and mastery.
 
 

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Text annotation has been one of the scientific and literary traditions of Muslims. Annotation has long been a common method in the development of scientific and literary thought in the field of Iranian culture, both by the author himself and by the author's students or critics. Text annotation accelerated from the eighth century AH and in the Qajar era, annotation on jurisprudential texts became common in seminaries. Annotation on contemporary poetry is a strange and uncommon practice that has little history in contemporary Persian literature. Mehdi Akhavan Sales is a prolific and rare poet in this field due to his talent, vast studies, upbringing in the cultural sphere (domain) of Khorasan and familiarity with Persian and Arabic literary texts. He has written various, humorous, informative and delicate Annotations on his poetry. According to this research, the main reason for this is to demystify. This research has been done by an analytical-descriptive method and seeks to find the reasons for the excessive tendency of Mehdi Akhavan Sales to the tradition of self-annotation.
 

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The life experience of Iranian man in the transition period shows that, despite his efforts, he is still unable to fully understand the requirements of the modern world and is constantly hesitating between the two traditional and modern worlds. The feedback of this problem is profoundly obvious in contemporary culture, so that it caused an incongruity in our history and culture. Incongruity doesn’t mean the existence of different and heterogeneous elements together, but the simultaneous presence asynchronous things. historical-cultural incongruity is evident in contemporary poetry as one of the basics of society’s culture, especially the poetry of Akhavan, one of the contemporary modern poets. This descriptive- analytical article attempts to reveal the reasons and bases of historical-cultural incongruity in contemporary poetry and its manifestation in Akhavan’s poems and exploring the historical experience of modernity in Iran in the meantime. This survey shows that Akhavan’s poem contains incongruities in three domains, including, form and content, language and format. It means that the form of poetry is modern but it’s content, instead of representing modern values, similar to European critics of modernity, criticizes west and it’s values. Furthermore, the usage of old language beside new one and concurrent use of old formats of Persian poetry and Nima’i poetry, is an indicator of incongruity in Akhavan’s poems.

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 In this research, an attempt has been made to study the short story "The demon possessed  Man" written by Mehdi Akhavan-e-Sales in a descriptive-analytical manner from the perspective of his pioneering in writing a modern poetic short story. The subject of this story is the author's critique of the situation of the bewildered contemporary intellectual (urban class) in society. The result shows that the author, using Impressionist language, has acted in drawing the mental states of the pivotal person in such a way that the plot of the story is out of linear mode, and regardless of the events and the reasons for their formation, it is structural. Found minimalist. Of course, this model has been left out of the ancient structures of Iranian fiction based on the travel model. Hence, the central figure in his story has replaced a particular intellectual mood before he became important as an actor in the narrative.
 

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One type of modern short story is the modern poetic short story, which, especially by breaking the previous norms of storytelling in the field of structure, content and characterization, engages the audience with a vague and deep perception and the result is Perception is like poetry. In this research, an attempt has been made to study the short story "The demon possessed  Man" written by Mehdi Akhavan-e-Sales in a descriptive-analytical manner from the perspective of his pioneering in writing a modern poetic short story. The subject of this story is the author's critique of the situation of the bewildered contemporary intellectual (urban class) in society. The result shows that the author, using Impressionist language, has acted in drawing the mental states of the pivotal person in such a way that the plot of the story is out of linear mode, and regardless of the events and the reasons for their formation, it is structural. Found minimalist. Of course, this model has been left out of the ancient structures of Iranian fiction based on the travel model. Hence, the central figure in his story has replaced a particular intellectual mood before he became important as an actor in the narrative.